Scene:
It is 4 o'clock in the morning, the chairs have been put up and the last few drops in your glass are gradually going flat. The musicians are starting to clear away their equipment. The drummer checks the brushes once more and the others pick up their instruments again and join in, releasing the groove of their isolation from their souls: Lost in Clubs - after midnight.

Lost In Clubs gets you back to the era of Film Noire and the Parisian clubs of the 50s. Artistic ambitious and, at the same time, catchy and cautiously melancholic. The patron will lean back relaxed and let rise the smoke of his cigarette
appreciatively pondering.

“The overall performance was convincing: All feelings of being forlorn were gently but also consistently interpreted in all the improvisations, thus making it difficult to emphasize the the individual performances of the musicians...” (Sebastian Reimann, JAZZPODIUM)

Lost in Clubs · CD · relax jazz · prod. by K&K 1997
A programmatical jazz production based on an idea by Josef-Stefan Kindler, transposed for performance by the film composer Thorsten Wollmann (piano, composition), Wolf Kerschek (piano), Frank-Oliver Jacobi (sax.), Andreas Otto Grimminger (trumpet/flugelhorn), Nicolao Valiensi (trombone), Matthias Kornmaier (percussion), Johannes Schaedlich (double-bass).

Title (new compositions): Miles Davis; John Coltrane; Bill Evans; Stan Getz; Chet Baker; Song to but without a Movie; Maroon; in the Dark; Oaxaca Express; Ballad for Booker; A childhood dream; Time to play music; cool blues; song without a movie; something like that, Lost in Clubs